Mahaloness

Contemporary artist specializing in full spectrum painting, mural, animation and digital hybrid art.


Leave a comment

carry on 

I am most likely going to stumble with my words here a bit….with that said I will attempt to blog it up. I have been through what I can only discribe as an early winter near death experience. Now I realize death is a strong word. Many humans I have met in the course of my life pilgrimage fear it in one way or another. If you have been touched by its sorrow, than these words will likely strike a chord. However in this case I am not writing about the literal meaning, no, what I mean is the death of the self, in an effort to get back to true form. This true from is the start of a new self, one who is ready for what’s to come and also present in the moment, aware of its self and clear minded. I have accrued a lot of information over the last year or so and it gets to a point where it becomes extra weight to carry. Now I don’t mind carrying a load, I am a film worker after all, I serve the production in an effort to get something accomplished, and efficiently as possible. This is something I carry into the studio and put that into my life’s work. When I paint, I am the painter painting, I am in my true form. By doing so the work becomes much more enjoyable and much less arduous. There are cases when I can choose to make a painting about that weight, and this has been a successful endeavour from time to time, however it is taxing on the system, so not too much, just a little bit. On occasion I get right in the way of my self, deluded, a cloud fills the mind. It can be difficult to manouver through those currents. They are powerful and similar to the ocean must be respected. When I refuse to respect my true self this can create chaos, which again might be good for a painting, initially, however it can also double, sometimes triple my work load, and can result in the loss of patience. Patience is key in my opinion, or at least this is what painting teaches me. Unfortunately life isn’t just painting, and this is where patience becomes difficult to practice. When everything is going at once, this is where things can go a bit sideways, if you know what I mean. So as of late I am working on shedding some layers that have accrued over the past year, and finding peace and clarity in the process, thereby less weight, and the higher likelihood of reaching true form. Always keeping in mind that life is not something I can control, however I am ready for changes, adaptable, I make adjustments, and in the words of an old mural friend Jamie, carry on! 

fotoMahaloness 

pictures to go with words 

It is a time to face the dragon within without slaying it.


it was destiny that brought me to this one wheeled electric skateboard, the foto represents how I felt in that moment, and yes that’s me as a little person.


this is JD he hires me as a film worker, as a grip, he is a key grip, champion and all around amazing human

a tool of my trade, the ol trusty dolly, that I call Dali!

a 3-D wolf head I am currently painting, and a cedar waxwing drawing for reference.

‘pink moon’ hälts hybrid art combining ‘therinathropica’ and flora I documented in Mexico

this is a section of my current body of work, the hälts oeuvre is flourishing.


Leave a comment

full time artist part time grip 

It’s been a whirlwind as of late, life changing, film making, whilst seasons changing, time chasing, and when I can, painting.  I live in the city, defined by construction, rows of houses, paved streets, pot holes, towers, condominiums, shopping malls, restaurants and institutions. When the film work calls I occasionally get the chance to leave the confines of the urban landscape. Film work is a vital part of my success as an artist. It gets me out of the studio, which has always been a challenge for me. Too much art studio time can adversely affect my life, the world shrinks and I forget what’s out there. Film work often starts before sunrise. Film productions come here for the magic hours, sunrise and sunset, and the scapes, from the urban to the natural. The natural settings are far and wide, Alberta is a dynamic place, there is a bit of everything, except for an ocean, ours is all dried up. 

It is a fact that when I work on my art I work later in the day, this is when I wake up creatively, often going well past sunset and into the night. So the chance to be up before sunrise  and see the other side of the day has never let me down. Yes it’s not always roses, getting up at 3:30 am in the morning is a tough adjustment to make. However the drive to remote locations is always an adventure. We set off with our maps in search of locations, often still in the shroud of darkness, with the hope that there will be a pylon with an illuminated arrow to help guide us to our final destination…when this fails one has to be really tuned in with the place, keeping an eye for roads, using locations maps that provide mileage and distance between points, and with a little teamwork we can usually make it for an early breakfast, yet another reason I appreciate film work. When I am home working as an artist, I have to do everything, this  can be overwhelming and chances are one aspect or anther will get sacrificed, usually eating, which is not something I suggest to anyone. I read somewhere Miro ate one a fig a day for a time and would stare at the wall waiting to see his next masterpiece. Whether this is true or not, I don’t think I am that creative when I am struggling to function. Maybe I get ideas but what good is an idea without the energy to bring it to life. Moving on. 

minimotion double feature 
‘kingdom’ 🎥part 1 hälts minimo special feature with soundscape ‘white wolf’ featuring hälts behind the scenes on the badlands of Alberta, a hawk soaring, and a hälts painting WIP animation called ‘therianthropica’ ​‘city’ 🎥 part 2 of a hälts minimo special feature with soundscape ‘white wolf’ featuring a quick animation of my painting WIP ‘therianthropica’ and the city I call home. ​​

fotoMahaloness

Let’s take a foray into my world of late 

the radiant Dali 💛 hälts shed art featuring a spray paint stencil, keeping an eye on things

city raven SLO 🍓 a hälts hybrid art featuring a raven, the city I call home and a painting of mine called SLO

the original raven foto documented in downtown Calgary


The following hälts hybrid art series is called ‘city kingdom’ featuring images of film locations that I have been working in recently which have been superimposed over each other. 
Retrospect

I have been working on ‘therianthropica’ a painting that has 2 or 3 paintings underneath, it has been a series of changes and experiments, taking old methods and infusing new methods as I go. I have been interested in mythology for some time now, and thought it was time to create a new mythology, or at least carry it forward into contemporary feel. I live in two worlds, one is reality, the world I work in, breathe in, walk in, and eat in. Than there is the world of the imagination, the other world, the world of mystery, symbolism and metaphors. This is not a new idea, it’s as old as ancient cave art. 

hälts hybrid art featuring my studio and ‘therianthropica’ up on the wall

‘therianthropica’ acrylic painting on wood front and center and some new panels waiting patiently on the wall.

tapping the source


Leave a comment

my other job

fotoMahaloness

My other job is working as a grip in the film industry. Fortunately I have worked with some of the best of the best, and it’s hard to not get influenced by working with people who are as passionate as you are when it comes to creativity, and never mind the locations which quite often leave me for a complete loss of words.

20131201-003228.jpg

20131201-003548.jpg

20131201-003707.jpg

20131201-003738.jpg

20131201-003905.jpg
Love.