Mahaloness

Contemporary artist specializing in full spectrum painting, mural, animation and digital hybrid art.


Leave a comment

Resilient 

Something I have learned being an artist is you never really know what’s going to happen next. What I mean is there is an uncertainty that goes along with it and this makes for a completely different set of problems and challenges that most sane humans would avoid like the plague. For instance there is just making a career for yourself, which sounds easy enough, but turns out it’s not so easy. I have been the poor starving artist, I have walked that walk, paid my dues and I don’t plan on going back to that anytime soon, despite the fact it’s always in the back of my mind. I will say there were moments of brilliance in my days of the struggling artist, one tends to dig deep when it appears the ship is sinking. However I learned early on the body can only go so far before things happen, the organs say slow down man. I think I have learned through my own volition that a man of desperation doesn’t always make the best decisions. And a man who doesn’t eat goes hungry. Might of worked for the Miro’s of the art annals of times past, however I just don’t recommend it for long. This has been a journey my friends and is why to this day I give people a chance, because there were some that did give me a chance, and those are the building blocks to making art your entire life without dying young, and or quitting all together. The world has never been an easy place, there have been events throughout history that has pushed humans to their limits, and yet we being resilient continue to carry on, that’s what keeps me going, anyway I hope you can appreciate the accompanying fotos, a documents of my life as a Canadian not starving artist. 

fotoMahaloness
Slices of time from in and out of the studio. 

the wolf in me, hand painted 3-D object in the works

abstract no.3 and wolf head on the works

abstract no.2 in the works

a recent drawing from hälts green lodge book

textures are lovely

in it moment



Retrospect 

self portrait ‘hälts’ artist and sometimes film worker

butterfly drawing 201….

a drawing I made not so long ago for a short art video that never saw the light of day.

hälts painting ‘easty westy’ made in 2006, it is a painting I made after living 4 months in Toronto, the big smoke, and debuted in my first solo exhibit in Calgary at Artfirm, no longer.



Leave a comment

SLO winter 

So ​I was away for a brief time, apologies for the the disappearance. It happens when you’re a painter, which tends to be a very solitary discipline that requires long periods of time concentrating on one thing, or in my case about 5 or 6 things. So it’s not big surprise that Mahaloness has been a little neglected. I also encountered the disappearance of my domain, which is somewhat foreshadowing of what’s to come for this here blog. I am currently the process of developing a new website, which will act as a store, a gallery, and blog. An all in one, a dynamic website that will be replacing Mahaloness. I will say Mahaloness has served my artistic journey well, however I am ready to for the next chapter. Before that happens I will be posting here when I can and providing updates with respect to the new online shop and site for those interested. I do want to thank all who have cruised my blog, and hopefully you have gotten some things from my posts and my art. 

Now time for the Winer Blues…

It is has been a long cold winter here in the Northern hemisphere, with very little reprieve, endless, non stop, won’t stop. This has been a mixed blessing, on one hand it has been a very productive time in the studio, and on the other hand cold and miserable weather is taxing on the constitution and makes for some less than cheery moments to say the least. Thankfully painting and art process is a reliable antidote to the dreaded cabin fever, and somewhat reasonable response to the winter blues. So praise the paint gods for that! Although to be honest I am over it, and I think a lot of people would agree with m here. 

fotoMahaloness

Me chilling with my painting WIP SLO 


For most of the winter, I have been working on my series ‘SLO’. I am a slow painter, not to say I haven’t made fast paintings, I just prefer to take my time, and letting the paintings dictate the pace, slow and steady, sans deadlines. These are not commission paintings and I have been working on some of them for months, and even years.  I find a lot of art tends to go with trends, this is fine if that’s what you want to do, I just don’t think they have lasting power…. trends they come and they go. I am more interested in making paintings that take their time revealing themselves to you. They are not statements, they are not a protest, and they are far from pop art. They are contrary to life’s pace, I have found no alternatives that would adequately suffice to speed the process up sans the use of performance enhancing substances, which is not an option, nor would I ever recommend it, and I do speak from experience. I think these days everyone wants to enhance their brain, and energy levels, and they will go to any lengths to make that happen. In fact studies are starting to show that this may not be that effective, more than likely the long term effects are not good. In fact substance abuse has been a part of arts history and how many great artists have we lost because of it, too many to mention. 

A painting has its own rhythm. 

Detail from ‘Pink Dragon’ also part of the SLO series (acrylic on recycled cardboard)


 The translation from idea to painting takes time and has its own rhythm. Once I am in paint mode I tend to work with my intuition, thanks to a lot of hard work developing my painting skills. Some days are easier than others, when physical, mental and spirit are balanced, the work flow is effortless. Other days it seems that Gravity is heavier, paint brushes are heavier, things spill and spirits get worked. This does not stop my process and I have disciplined myself to work through it, however there have been times when it’s not so good on the constitution. In my weaker moments artist rage can erupt. When this happens I do not try to stop it. Instead I try to redirect this energy back into process and in most cases it can be effective. Occasionally it just doesn’t work and I will bounce onto something else, or even better go for a walk. 

Life experience has shown me how negative energy can be a detriment to quality of life and process. This is somewhat paradoxal to the idea that artists require suffering to make great art. I think suffering is a given in life, there is always some form of suffering from the little stuff to the big stuff. This goes for everyone and that’s all I will say about that for the moment. However artists such as myself have our days, and things can get a little overwhelming when it is just one person getting things done. Lately I have been getting some help with my marketing and business side of things, something of which I have either ignored or never delegated the proper time for. This has been a weakness, and a good friend of mine worked on me for months, to get me to sit down and talk about my strategy. It was a struggle. I have come to realize that it’s as important as is the process of making art itself, and this what led me to rethink Mahaloness and how I do things. 

 Lastly, always listen to your gut! The gut don’t lie. 

and now a minimotion special feature 

‘deep see’ 🎥 new hälts minimotion with soundscape ‘gone painting’ featuring a few recent sesshins on my WIP ‘SLO’ and a window into my artistic practice. 

Below is one of my little notebooks ‘notes from the underground’ which refer to the fact my studio is in a basement, this is where I put down ideas and work out chess moves, with regards to my WIP paintings. Generally speaking this signifies that I am in the last phases of production, and by writing things down I clear my head in order to reduce the feeling of being overwhelmed, which works most times….


SLO WIP in hybrid art format, mixed media

Sometimes I go horizontal with SLO

Below is SLO with an image superimposed behind which is me working on my first indie mural ‘Hillhurst Hardware’ although years apart I think every mark I make informs my work to come, it adds to the layers, and nothing will ever replace content like that of life experience. 

I still use the palette knife that was originally my grand fathers, it has a great feel and keeps me connected to my past.


The eagle, the scarab, the horse, animals and bugs are a part of my art experience. 


Once and a while I like to do something diferrent.

There is something special that happens when I body paint someone, especially if it someone I know, I see them in such a new and unique light, I think that’s pretty cool, I look forward to continuing this aspect of my art.