It’s been a whirlwind as of late, life changing, film making, whilst seasons changing, time chasing, and when I can, painting. I live in the city, defined by construction, rows of houses, paved streets, pot holes, towers, condominiums, shopping malls, restaurants and institutions. When the film work calls I occasionally get the chance to leave the confines of the urban landscape. Film work is a vital part of my success as an artist. It gets me out of the studio, which has always been a challenge for me. Too much art studio time can adversely affect my life, the world shrinks and I forget what’s out there. Film work often starts before sunrise. Film productions come here for the magic hours, sunrise and sunset, and the scapes, from the urban to the natural. The natural settings are far and wide, Alberta is a dynamic place, there is a bit of everything, except for an ocean, ours is all dried up.
It is a fact that when I work on my art I work later in the day, this is when I wake up creatively, often going well past sunset and into the night. So the chance to be up before sunrise and see the other side of the day has never let me down. Yes it’s not always roses, getting up at 3:30 am in the morning is a tough adjustment to make. However the drive to remote locations is always an adventure. We set off with our maps in search of locations, often still in the shroud of darkness, with the hope that there will be a pylon with an illuminated arrow to help guide us to our final destination…when this fails one has to be really tuned in with the place, keeping an eye for roads, using locations maps that provide mileage and distance between points, and with a little teamwork we can usually make it for an early breakfast, yet another reason I appreciate film work. When I am home working as an artist, I have to do everything, this can be overwhelming and chances are one aspect or anther will get sacrificed, usually eating, which is not something I suggest to anyone. I read somewhere Miro ate one a fig a day for a time and would stare at the wall waiting to see his next masterpiece. Whether this is true or not, I don’t think I am that creative when I am struggling to function. Maybe I get ideas but what good is an idea without the energy to bring it to life. Moving on.
minimotion double feature
‘kingdom’ 🎥part 1 hälts minimo special feature with soundscape ‘white wolf’ featuring hälts behind the scenes on the badlands of Alberta, a hawk soaring, and a hälts painting WIP animation called ‘therianthropica’ ‘city’ 🎥 part 2 of a hälts minimo special feature with soundscape ‘white wolf’ featuring a quick animation of my painting WIP ‘therianthropica’ and the city I call home.
Let’s take a foray into my world of late
The following hälts hybrid art series is called ‘city kingdom’ featuring images of film locations that I have been working in recently which have been superimposed over each other.
I have been working on ‘therianthropica’ a painting that has 2 or 3 paintings underneath, it has been a series of changes and experiments, taking old methods and infusing new methods as I go. I have been interested in mythology for some time now, and thought it was time to create a new mythology, or at least carry it forward into contemporary feel. I live in two worlds, one is reality, the world I work in, breathe in, walk in, and eat in. Than there is the world of the imagination, the other world, the world of mystery, symbolism and metaphors. This is not a new idea, it’s as old as ancient cave art.