Mahaloness

Contemporary artist specializing in full spectrum painting, mural, animation and digital hybrid art.


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Resilient 

Something I have learned being an artist is you never really know what’s going to happen next. What I mean is there is an uncertainty that goes along with it and this makes for a completely different set of problems and challenges that most sane humans would avoid like the plague. For instance there is just making a career for yourself, which sounds easy enough, but turns out it’s not so easy. I have been the poor starving artist, I have walked that walk, paid my dues and I don’t plan on going back to that anytime soon, despite the fact it’s always in the back of my mind. I will say there were moments of brilliance in my days of the struggling artist, one tends to dig deep when it appears the ship is sinking. However I learned early on the body can only go so far before things happen, the organs say slow down man. I think I have learned through my own volition that a man of desperation doesn’t always make the best decisions. And a man who doesn’t eat goes hungry. Might of worked for the Miro’s of the art annals of times past, however I just don’t recommend it for long. This has been a journey my friends and is why to this day I give people a chance, because there were some that did give me a chance, and those are the building blocks to making art your entire life without dying young, and or quitting all together. The world has never been an easy place, there have been events throughout history that has pushed humans to their limits, and yet we being resilient continue to carry on, that’s what keeps me going, anyway I hope you can appreciate the accompanying fotos, a documents of my life as a Canadian not starving artist. 

fotoMahaloness
Slices of time from in and out of the studio. 

the wolf in me, hand painted 3-D object in the works

abstract no.3 and wolf head on the works

abstract no.2 in the works

a recent drawing from hälts green lodge book

textures are lovely

in it moment



Retrospect 

self portrait ‘hälts’ artist and sometimes film worker

butterfly drawing 201….

a drawing I made not so long ago for a short art video that never saw the light of day.

hälts painting ‘easty westy’ made in 2006, it is a painting I made after living 4 months in Toronto, the big smoke, and debuted in my first solo exhibit in Calgary at Artfirm, no longer.



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Creative Worker 

 I am a difficult stubborn human being with a heart of gold. I bare many scars, I must of been a warrior in another life. I am a human who chose to take the path of art, with no specific goal, just to be in the present and create as much art as a I can in this short lifetime. I fall in love too easily, this has created a few masterpieces. I often paint for hours on end, and take intermittent smoke breaks in the alley way. I like to stare up at the stars at night and take in the glow of the moon. I love peanut butter on toast, and boil my eggs for 9 minutes, which seems to be the perfect amount of time. When I am not painting I drink coffee, and make things to eat. I once put a girlfriend in a painting, I have since stopped that practice. I have worked with humans with terminal illnesses. I have held a man’s hand in his dying moments. I like to paint with Otis, the next generation, he gives me advice on life and teaches me patience. In a matter of speaking I am a ghost, unknown, right in front of you, even though you would say you never saw me. They say every man needs a companion, I guess mine has been painting, steady, always there when I need her, and puts up with my moods, she seen me at my worse and best, and yet always there, omnipresent. It is a mystery as to why I ended up an artist, I guess you could say it was fate. It seems to me that there is still plenty of Mystery left in the world. I have tended to pay close attention to what’s going around me. Whether it is a look on someone’s face, a smile, a tear, a far away stare in the reflection of a train window, a bird in the tree, this is the pulse that I am interested in. I have long been an observer of things, watching the world unfold before my eyes, which by all accounts is directed by an insatiable curiosity. It’s as if I have Orson Welles directing the picture show that is my life, capturing the accidental moments, strange happenings, this is normal for me. I see things that most miss, not because they can’t see it, they are distracted by touch screens and neurotic scrolling, looking for something better than their mundane existence. This mundane is only mundaneness because we have lost the joy of our being in the moment. We are chasing dreams, or running away fromh things, depending on how you look at it. Perhaps this is why time flies, were always seeking the next bend, the next big thing, that will save us from our loneliness. Orson Welles said it best, “love and friendship is the nearest thing that we can find to create the illusion that we are not totally alone.” Well my friends I am happily alone to be me in this world that spins around and around, no beginning, no end, cycling with the cycles, writing blogs and making art in between. 

Now a foto to go with words above and a new minimotion.

‘moonbeams’ 

🎥 a hälts minimotion sepia ail feature of a full moon sesh last night, under the glow did paint flow and human turned artist in the solitude of his home. 

fotoMahaloness

These are some recent docufotos of life in and out of the studio. 

The latest creation abstract no.3 which looks to be a diptych

spirit of my silence

I started to lay out my work to see where I am at with things.

new finished abstract painting no. 2 hanging on the wall with headlamp light illumination.

the studio in flow zone.

my black shroud as I shed some layers.

ideas in head made into a quick rendering for further thought.

me and Otis painting.


❤️


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Life experience is worth more than Jordan Pertersons words. 

I guess you could say that I have seen a few things in my youngish kind of old years. I have always felt the urge to explore, whether it was a kid in a forest or a grown man roaming in a city. I am what Jordan Peterson would call an open mind. If you don’t know who he is perhaps do a Google search and you’ll find a man who is making quite the impact on young men in particular while also gaining resistance from people who are different from the model he projects. I grew up in a conservative household, my parents both working professionals, and also just all around busy people. I was not raised to be an artist, or an explorer, although the latter might not be true, my parents explored many things in their life and no doubt this had an impact on me growing up. They insisted on getting an education and I went all the way through University where I received a degree in Physical Geography. My parents did their best, and tried to contain me as best they could. When I got to closer to legal age I was a little harder to contain and my explorations broadened to other cities, provinces, states and countries. According to Jordan Peterson I have wasted $2,400,000 of revenue I could of been generating working a 9-5 job in the last 20 years. I must be mad…. that is a lot of money, isn’t it? Considering the coast of a house, a car, a family, and all those little surprises that pop up in life, that doesn’t seem like a good deal to me. Instead I chose to pick up a paint brush, a camera, a pen, and all those wonderful tools that a creative open minded person has available to them, and started making art. Instead of a house I chose to paint a house, and not a real house, a painting of a house. Instead of playing the stocks, I have played countless podcasts, albums and perhaps have set a record for most consecutive listens of the Joni Mitchell song ‘a case of you’ mostly because she has a couple verses that goes like this:

“I am a lonely painter, I live in a box of paints” 

She is right about that, however I also get out of that box from time to time in order to explore life. So the following is a collection of images from years gone by which consists of my photography, painting, explorations into the great world we live in, and artworks from the creative explorations, from studio to abroad. 

fotoMahaloness

I took this b&w foto in Toronto Canada back in the day when I was going to film school there.

multi creator a hälts hybrid art piece that is a mural I made and a foto I took in Mexico looking out to the Pacific Ocean.

Present, a hälts hybrid which combines two paintings into this contemplative artwork

hälts digital art, I like to make light of news stories and the cigar shaped alien probe flying through space is no exception

this is me in an ‘in it’ moment, art is a gift we humans have and I am a steward who will gladly carry that torch forward and pass it on to the next generations.

this is John he saw me make this mural all the way through, a champion and one of the few people who was able to see what I was doing and passed along some wisdom that made the mural next level and something the community cherished while it lasted.

hälts hybrid art featuring an eagle I made into an animation and my paint palette

a pure abstract I have been working on, going back to my painting roots in the abstract realm

my studio and a few of my recent paintings, explorations in creativity and the space I call home.


Mornings in Mexico 

My travels have been both epic and so rewarding, I went to Mexico last spring and ended up doing three murals while I was there, as well as taking the morning scenes, it was like being a dream, if you want to know more a about that I suggest reading ‘Mornings in Mexico’ by D.H. Lawrence. anch chances are I will sit down one of these years and wrote a book that rough on my experience in that magical place. 

roosters are such interesting creatures, they are all over the place and when one calls it starts a chain reaction of roosters that crosses the land, so cool.

a man and his load

we all have to do things to make a living, this lovely man chooses to keeps people cool in the heat of the day, support these people when you see them, they are genuine and loving people with hearts of gold.

another morning encounter, this scene is made for a movie, except a movies rarely pull off this kine of authenticity.

my little mural in Zicatela, Puerto Escondido, that was made with community spirit and through the help of friends, so much love for you all.

I don’t even know how to convey how awesome this mural as to make, the experience remains a deep part of my being.

Otis and I collaborating on a mural he designed for his home in Mexico, passing on the torch.

me in front of my mural for ‘Elephant Garden’ in Zicatela, a proud moment, the stoke is real.


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full time artist part time grip 

It’s been a whirlwind as of late, life changing, film making, whilst seasons changing, time chasing, and when I can, painting.  I live in the city, defined by construction, rows of houses, paved streets, pot holes, towers, condominiums, shopping malls, restaurants and institutions. When the film work calls I occasionally get the chance to leave the confines of the urban landscape. Film work is a vital part of my success as an artist. It gets me out of the studio, which has always been a challenge for me. Too much art studio time can adversely affect my life, the world shrinks and I forget what’s out there. Film work often starts before sunrise. Film productions come here for the magic hours, sunrise and sunset, and the scapes, from the urban to the natural. The natural settings are far and wide, Alberta is a dynamic place, there is a bit of everything, except for an ocean, ours is all dried up. 

It is a fact that when I work on my art I work later in the day, this is when I wake up creatively, often going well past sunset and into the night. So the chance to be up before sunrise  and see the other side of the day has never let me down. Yes it’s not always roses, getting up at 3:30 am in the morning is a tough adjustment to make. However the drive to remote locations is always an adventure. We set off with our maps in search of locations, often still in the shroud of darkness, with the hope that there will be a pylon with an illuminated arrow to help guide us to our final destination…when this fails one has to be really tuned in with the place, keeping an eye for roads, using locations maps that provide mileage and distance between points, and with a little teamwork we can usually make it for an early breakfast, yet another reason I appreciate film work. When I am home working as an artist, I have to do everything, this  can be overwhelming and chances are one aspect or anther will get sacrificed, usually eating, which is not something I suggest to anyone. I read somewhere Miro ate one a fig a day for a time and would stare at the wall waiting to see his next masterpiece. Whether this is true or not, I don’t think I am that creative when I am struggling to function. Maybe I get ideas but what good is an idea without the energy to bring it to life. Moving on. 

minimotion double feature 
‘kingdom’ 🎥part 1 hälts minimo special feature with soundscape ‘white wolf’ featuring hälts behind the scenes on the badlands of Alberta, a hawk soaring, and a hälts painting WIP animation called ‘therianthropica’ ​‘city’ 🎥 part 2 of a hälts minimo special feature with soundscape ‘white wolf’ featuring a quick animation of my painting WIP ‘therianthropica’ and the city I call home. ​​

fotoMahaloness

Let’s take a foray into my world of late 

the radiant Dali 💛 hälts shed art featuring a spray paint stencil, keeping an eye on things

city raven SLO 🍓 a hälts hybrid art featuring a raven, the city I call home and a painting of mine called SLO

the original raven foto documented in downtown Calgary


The following hälts hybrid art series is called ‘city kingdom’ featuring images of film locations that I have been working in recently which have been superimposed over each other. 
Retrospect

I have been working on ‘therianthropica’ a painting that has 2 or 3 paintings underneath, it has been a series of changes and experiments, taking old methods and infusing new methods as I go. I have been interested in mythology for some time now, and thought it was time to create a new mythology, or at least carry it forward into contemporary feel. I live in two worlds, one is reality, the world I work in, breathe in, walk in, and eat in. Than there is the world of the imagination, the other world, the world of mystery, symbolism and metaphors. This is not a new idea, it’s as old as ancient cave art. 

hälts hybrid art featuring my studio and ‘therianthropica’ up on the wall

‘therianthropica’ acrylic painting on wood front and center and some new panels waiting patiently on the wall.

tapping the source