So I was away for a brief time, apologies for the the disappearance. It happens when you’re a painter, which tends to be a very solitary discipline that requires long periods of time concentrating on one thing, or in my case about 5 or 6 things. So it’s not big surprise that Mahaloness has been a little neglected. I also encountered the disappearance of my domain, which is somewhat foreshadowing of what’s to come for this here blog. I am currently the process of developing a new website, which will act as a store, a gallery, and blog. An all in one, a dynamic website that will be replacing Mahaloness. I will say Mahaloness has served my artistic journey well, however I am ready to for the next chapter. Before that happens I will be posting here when I can and providing updates with respect to the new online shop and site for those interested. I do want to thank all who have cruised my blog, and hopefully you have gotten some things from my posts and my art.
Now time for the Winer Blues…
It is has been a long cold winter here in the Northern hemisphere, with very little reprieve, endless, non stop, won’t stop. This has been a mixed blessing, on one hand it has been a very productive time in the studio, and on the other hand cold and miserable weather is taxing on the constitution and makes for some less than cheery moments to say the least. Thankfully painting and art process is a reliable antidote to the dreaded cabin fever, and somewhat reasonable response to the winter blues. So praise the paint gods for that! Although to be honest I am over it, and I think a lot of people would agree with m here.
Me chilling with my painting WIP SLO
For most of the winter, I have been working on my series ‘SLO’. I am a slow painter, not to say I haven’t made fast paintings, I just prefer to take my time, and letting the paintings dictate the pace, slow and steady, sans deadlines. These are not commission paintings and I have been working on some of them for months, and even years. I find a lot of art tends to go with trends, this is fine if that’s what you want to do, I just don’t think they have lasting power…. trends they come and they go. I am more interested in making paintings that take their time revealing themselves to you. They are not statements, they are not a protest, and they are far from pop art. They are contrary to life’s pace, I have found no alternatives that would adequately suffice to speed the process up sans the use of performance enhancing substances, which is not an option, nor would I ever recommend it, and I do speak from experience. I think these days everyone wants to enhance their brain, and energy levels, and they will go to any lengths to make that happen. In fact studies are starting to show that this may not be that effective, more than likely the long term effects are not good. In fact substance abuse has been a part of arts history and how many great artists have we lost because of it, too many to mention.
A painting has its own rhythm.
The translation from idea to painting takes time and has its own rhythm. Once I am in paint mode I tend to work with my intuition, thanks to a lot of hard work developing my painting skills. Some days are easier than others, when physical, mental and spirit are balanced, the work flow is effortless. Other days it seems that Gravity is heavier, paint brushes are heavier, things spill and spirits get worked. This does not stop my process and I have disciplined myself to work through it, however there have been times when it’s not so good on the constitution. In my weaker moments artist rage can erupt. When this happens I do not try to stop it. Instead I try to redirect this energy back into process and in most cases it can be effective. Occasionally it just doesn’t work and I will bounce onto something else, or even better go for a walk.
Life experience has shown me how negative energy can be a detriment to quality of life and process. This is somewhat paradoxal to the idea that artists require suffering to make great art. I think suffering is a given in life, there is always some form of suffering from the little stuff to the big stuff. This goes for everyone and that’s all I will say about that for the moment. However artists such as myself have our days, and things can get a little overwhelming when it is just one person getting things done. Lately I have been getting some help with my marketing and business side of things, something of which I have either ignored or never delegated the proper time for. This has been a weakness, and a good friend of mine worked on me for months, to get me to sit down and talk about my strategy. It was a struggle. I have come to realize that it’s as important as is the process of making art itself, and this what led me to rethink Mahaloness and how I do things.
Lastly, always listen to your gut! The gut don’t lie.
and now a minimotion special feature
‘deep see’ 🎥 new hälts minimotion with soundscape ‘gone painting’ featuring a few recent sesshins on my WIP ‘SLO’ and a window into my artistic practice.
Below is one of my little notebooks ‘notes from the underground’ which refer to the fact my studio is in a basement, this is where I put down ideas and work out chess moves, with regards to my WIP paintings. Generally speaking this signifies that I am in the last phases of production, and by writing things down I clear my head in order to reduce the feeling of being overwhelmed, which works most times….
Below is SLO with an image superimposed behind which is me working on my first indie mural ‘Hillhurst Hardware’ although years apart I think every mark I make informs my work to come, it adds to the layers, and nothing will ever replace content like that of life experience.
The eagle, the scarab, the horse, animals and bugs are a part of my art experience.
There is something special that happens when I body paint someone, especially if it someone I know, I see them in such a new and unique light, I think that’s pretty cool, I look forward to continuing this aspect of my art.