“An ideal is always a judge, you are not as good as your ideal, you always fall short”. -C. Jung
I never went to art school and the only art training I had was what I learned in grade school, long ago in the days of my adolescence. It’s funny to to think that painting found me, we just kind of bumped into each other and many years later I find myself still in love with the process. It has been a journey to say the least, countless hours with paint and god knows how many canvases, in all shapes and sizes, it’s difficult to comprehend. If it weren’t for a stubborn resolve I possibly would have thrown in the towel long ago and at no point in my early life did I think, I want to be an artist. It literally found me and ever since I have managed to do it mostly my way, albeit a few hiccups along the way.
I possess a healthy dose of what you would call ambition, I wanted to be the best damn painter I can possibly be, probably due to the fact I spent a good portion the first quarter century of my life in some kind of competitive sport. When I started painting I had a tiny amount of life experience. I guess it was enough to know that art was something I liked and although the promise of success was very low I made the decision that this is what I wanted to do with my life. I spent a little time in the gallery system and found it didn’t jive well with me, it seemed constricted, clique, and limited. Instead I chose the solo art pilgrimage, which I want to point out is very much a life long journey. And like any journey there are times when things are calm and ordered and there are times when chaos reigns. I have found that both have their advantages and disadvantages and it’s a fine line to tread, you can interpret that however you like, it is meant as a cautionary warning.
Over the years I have learned to develop a system, one might say ‘rules’, to produce my paintings. Despite the flickers of brilliance that come out of the chaos it is a zone that I do not recommend one stay in. I also appreciate calm, stillness and the solitude of a good paint session. No doubt I like to be on the fringe which includes the subject matter I work with, the projects I choose to do, and in some cases the projects that find me. I think the difference between now and then is I have moved towards a balance, a combination that has proven to work well and ensures that I will be doing my art for as long as possible.
Q: What is the ideal?
A: That’s not for me to answer, however having experienced the chaos side of things I think there is something to be said about the advantages of having a foot in order and calm.
And now a gallery of fotos featuring moments from the winter season inside and out of the studio.