Q: What is the purpose of your trip?
A: To spend time observing the ocean, stand with a few of the remaining old growth forests, and with a little bit of luck decompress.
As I wonder along an elusive path hidden by tall grasses I trust my instincts and find my way to an opening. In front of me a sandy beach flanked by sculpted sand dunes, and a lonely sea gull gliding effortlessly with the cold Pacific breeze. This morning is calm, puffy white clouds drift by, and tide is low heading towards high. The saltiness of the air is refreshing to the senses, as the land and the sea remind me just how magnificent this planet is.
fotoMahaloness and a minimotion
‘gone to sea’ a new hälts minimotion with soundscape ‘taking time’ featuring footage captured by me while in Nahalem, Oregon, while on road trip up the coastline towards Canada, which is North, eh.
I could spend a century wondering these beaches with relative stationary sand dunes, staring out to sea, and bringing it back in to observe the tiny elements that make up this fascinating ecosystem. The one thing I have always noticed about the Oregon coast is the cooler temperatures especially when there is a sea breeze, thankfully there are many natural and human aided structures to take some shelter and a poncho can go a long ways.
And now for a new feature on Mahaloness, a look back at my work from the hälts art archives….
Over the years I have been very fortunate to work on commission work. This is a very rewarding part of my art because one it pays the bills, and also I have a chance to work so many great people who we artists call ‘patrons’. Without patrons artist would not thrive, both now and historically speaking. It is through these commission paintings that I have been able to hone in on my skills and push my comfort zones with respect to the subject matter. For the most part I have gotten most of my work through word of mouth, and some commissions through social media. This did not happen overnight, even though there were times I wish it did. Usually my commission work starts with a meeting, where I sit down with my clients and we discuss what it is they want and I try to offer my expertise and knowledge based on my experience. I do tend to work intuitively so learning how to communicate this to clients has taken some time, in terms of earning there trust, while also in keeping with their vision. Through the process I tend to share updates and occasionally will have studio visits, which are really quite fun and satisfying, especially when the client is stoked with what they see, this makes the work less stressful and the patron feels like they are part of the process. What I would like to do in future posts is write about some of these commissions specifically as they do have stories that go above and beyond the paintings themselves. Lastly, I will be starting a new chapter with Mahaloness and interviewing people from various walks of life, especially areas that I am particularly interested in as an artist, so more on that in future posts, for now enjoy the commissions and may Mahaloness be with you.
Here are a few commissions from the hälts archives.