fotoMahaloness
Virtual exploration, it is interesting that something so new relies on the old.
Quietly the road slithers into the forest.
trust in the path less travelled.
you never know what you will run into. (a painting called buddhabear, painted following a grizzly encounter)
prints available here
sometimes my passion pushes the limits of my tools, and they need to take a seat. (foto archive from a 3 month art exploration, painting a school bus in 3-D)
love company. (foto archive body painting by me, Mahaloness, public art healing sesshin.)
I work with compassion in mind, it has become a theme in my paintings, it is also something I am constantly working at bringing into my day to day.
accept the path you walk
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Mahaloness is an art blog documenting the inner spirit and artist journey of Shane Haltman, also referred to as 'hälts'. He lives, breathes and makes art in Canada. Hälts often travels to remote and exotic locations to produce community spirit murals and paintings using available materials. He is unconventional in his approach to art and chooses unique projects and sometimes they choose him. He is known for guerrilla lawn art shows, painting helmet art for a Canadian Olympic Athlete, and once painted a magic bus out of this world. Mostly he is human as anyone else, however very driven and disciplined with respect to his artistic practice. He has experience working with the bereaved and helping people who are experiencing, or who have experienced trauma in their lives. He also enjoys working with the youth and passing on his wisdom, usually in the form of art jams. Hälts is a full spectrum artist, living and breathing art, as a daily practice, in this mixed up beautiful world.
Quietly the road slithers into the forest. 
trust in the path less travelled.
you never know what you will run into. (a painting called buddhabear, painted following a grizzly encounter)
I work with compassion in mind, it has become a theme in my paintings, it is also something I am constantly working at bringing into my day to day.
