Mahaloness

Contemporary artist specializing in full spectrum painting, mural, animation and digital hybrid art.

Wodaabe Dreamtime

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I made this painting a couple years ago, this is is an early example of my paintamentary concept. I was inspired by Werner Herzog’s ‘Herdsmen of the Sun’ (1989)
Follow the link.

-Mahalonessfoto
Acrylic and aerosol on canvas 24 x 48 in.


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Dream bus (revised)

Remember that not always getting what you want is sometimes a wonderful stroke of luck.

-Dalai Lama

First and foremost thank you.

I was asked to paint a school bus, I agreed and the rest is history. The art on the bus is derived from moleskine doodles, made mostly in Maui, Aloha spirit, with exception of the Chief figure,  who represents a man from the Siksika nation (near Cluny AB, where my grandfather lived). The Chief is in likeness to a man my grandfather hunted with, and lived next to, both of which I never had the fortune to meet. My grandfather’s name was Julian Nobert. He was known to the local people as ‘the Great White Chief’ which I see as a huge honor and is why that ended up on the bus. The entire bus is airbrushed, using various tricks and techniques, all made from scratch in the green building in the image section, which was in the middle of no where, without heat, except for a van, which had a space heater in it, and which I used for sleeping and cooking. I had to walk for water 2 three times a day, a fairly good distance, carrying full, warm water back to my setup station for cleaning and keeping paint warm, a lot of work in itself. Mix colours, fill guns, run compressor, paint, empty gun, clean, reload, paint….you get the idea, every colour in the rainbow, 7 to be exact. As the job progressed my whole minimal housing setup, a camping van that house billions of bacteria, even before I got it. As the job progressed I was overtaken by very healthy mice, even though there was a shop cat in the building. The painting bay was too narrow for me to see the sides of the bus which made the job extremely difficult and nearly impossible, except a balcony section where I could view the top, which I made into a universe. So how’d I do it? Well I drew everything on to the bus first. Some of it I projected, and the rest was hand drawn once I was happy with the scale, I find that once you get the scale the rest comes pretty quickly. The bus took me three months to paint, not every day, but anywhere from 3 to 10 day stretches, 8 to 36 hour shifts, and a very good diet, thanks to some deliveries made by the client. The conditions were not favorable at all. Air brushing in cold climate is not easy and certainly not the best way to apply paint. I used Golden fluids, they don’t come cheap, however cheaper and more efficient than spray cans, also Golden fluids layer better and I could control the paint consistency and add medium that suited painting a shiny tactless surface. I was always told to trust your drawings, and that actually saved a lot of time, considering the scale of the bus, which is around 1100 sq. ft of area to paint. I also primed the whole thing first after the client had gone over it with sanders and worked on some of the problem areas. I actually did use some aerosol, not as efficient and Golden’s products, they are simply the best, in my opinion. The wolf on the back is my spirit animal, I had a dream of the wolf and proceeded to paint 18 hours strait to finish it. Every detail on that bus was thoughtful and shaped. As a painter I am a mark maker and I made the best marks I could, which is not to say they are the best in the world, that simply means I made my marks count. Talent only takes you so far, at the end of the day this thing was work, and in the end it was a labour of love, my mind, body and spirit were beat. It was no doubt a real dream project, all of the ingredients to be something awesome and truly public art and effecting like a giant billboard is, except unlike advertisement some medicine for the mind, body and soul. It is interesting to me that I am the artist that some like to dislike, and perhaps that is due to my passion and intensity, and I stand for artists getting the value they deserve. I put every ounce of my heart, mind and soul into this project because thats how I roll. The work speaks keeping in mind there is no comparison between a digital foto and seeing the real thing. It is quite difficult to capture all the details in a single frame; to see it in real life one can literally dive into the layers.

An earlier entry on the bus project….

A list to consider….made at the completion of working on the bus, things to consider, always make a wish list. Please share if you like, pass it on.

25
SEP
2011

Eat and live by these basic guidelines while painting a magic bus. Here is a list to get things going (some tangents apply).
Quote: “You can paint anything” or “Fear not I shall captain this ship”. (both anonymous)
List for Big Hau, and possibly any epic painting project:

-avocados (a must)
-grapefruits
-glacier fed springwater
-chips (kettled cooked crinkle salt and pepper) which are really bad for you, but good in moderation.
-superfoods (powder smoothie, goji berries (thanks Jane!), dark chocolate, and these kinds of things
-eggs
-yogurt
-berries (blackberries, blueberries, raspberries)
-KitKat (put in freezer)
-coffee (from the Roasterie, Danish Breakfast)
-aeropress coffee maker, if you don’t know, know now
-electric kettle (coffee, and heated water to clean airbrush) I had no heat inside, so I had to heat the water constantly, which meant going through more water than normal. Each time I had to change out water I went with two 2-gallon water containers… 200 steps to and from the water source, up to 4 times a day- this is a great workout, and mental practice. The water source was far away, never a good thing for a painter. It was located in a separate part of the warehouse, often dark with no lights on, which I eventually adapted to and could do it practically with my eyes closed… on occasion I did. On one occasion I was in headphone mode, and someone had strategically placed a 4 gallon bucket of something heavy in my previously clear path. My shin crashed into it- a zen moment for sure.
-wine gums! (for your guests)
-bananas
-pasta
-vitamins
-fine wine
-really good tequila (sipper) for when you complete the day and you made some serious progress, for the good pain.
-a seriously good attitude about mice
-compartmentalizing skills
-a van, if possible. his is key for sleeping, and if possible, place talismans in and the around the vehicle…
-(books for reference material)
-mate (salad in a cup I am told) is always good, and a detox tea. You work with chemicals when you paint so keep this in mind. Always flush and do what feels right for the body… okay well, most of the time.
-drawings. “Trust your drawings”- Jamie Osborne
-projector, which helps for the large scale stuff. Go ahead and work without one if you want, but a bus has many multi-dimensions. Good luck.
-Kit Box! Paint, brushes, paint, brushes, mediums, various tools for throwing, mixing. You name it, every artist is different. Go with what you know, and learn what you don’t… leave that part up to other people, and you may be missing some big awesome surprises. Be willing to sacrifice, but remember that paint is expensive- use it smartly and always clean your tools. Put excess paint back into vessels… it is worth it on any scale project. I have only really learned this recently, so get your paint in bulk, which means pre-plan. Know your dimensions and how much paint it will take to cover a large object. No need to rush that part, it will only cost you in the long run. Save yourself and/or your clients money- it is a good idea.
-music, and lots of it. I like the podcasts… there are many, and the music that is going on around the world is amazing. Also sing while working alone, or whistle- it keeps things good.
-I chose to work really long days and sessions, because days became less relevant as the time progresses. You quickly learn to make your energy count, really! Unfortunately some parts of the list have been exempt, and when the time the right time comes to present them, I will.
Okay now, paint a bus! Wait… next entry.

Mahalonessfoto -magic bus

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Empowerment

Creativity is about self empowerment. I chose to follow my heart, against a mind that was conditioned for years to believe in the system, and that to chase one’s dream was nothing more than superstitious nonsense. Though mistakes have been made, the road less travelled has and continues to be as magical as ever before. For the rest of my stay I am here to inspire and that my contributions will be recognized for what they truly are.

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Sesshinal Mahaloness

Upon entering the studio, with warm coffee in hand and a fresh mind the painting sesshin may commence. A sesshin is a Zen expression for ‘collecting heart mind’. Which is to say it is the settling of the mind, to touch the mind, and to convey the mind. Traditionally It consists of a 2 to 7 day period of intense practice in seated meditation, referred to as zazen, and also consists of walking and working meditation. It is something I came across only recently and after researching it I found it made a lot of sense to me. I look at painting as a ritualistic, meditative practice of calming the mind, channeling energy and ideas, and being in ‘heart mind’ space. I have adapted certain components of the a sesshin to my process, and my ritual. Fundamental components to positive creative out flow is ritual and practice. Creating your space and being able to immerse into practice with full concentration and discipline may not sound easy, in fact it is does require work. It has taken me many years to figure it out, and perhaps from the observer outside of me, it might seem low tech, and even rather makeshift. It is in fact a streamlined operation. I know my tools, my paint, my brushes, and my set up. The logistics of painting requires its own set of conditions, and in the case of logistics, I am a black belt. It has been fun developing my kit, learning what works and what doesn’t, and trust meI have received many ‘expert’ opinions over the years of what works best and what doesn’t. The thing is we are unique machines in ourselves and what might work for you may not work for me, and this is the ‘compromise’ of making art, choosing your modus operandi wiki link and seeing it through. This is a challenge and one that does come with a slight chance of fear. The fear is learning something new, and thats it. Once you get through the fear, and it does pass, the learning becomes inspired and the work doesn’t seem like work at all. When I am in my space, in sesshin, I am in heart mind, I am flowing and the good work continues to unfold.
If this blog interests you, and you are in Calgary, Ab, Canada, I am running art classes and workshops at Hughes on Tenthlink to Hughes Fine Art, Mondays and Thrusdays, 6:30 to 8:30 pm, and for ages 13 to 17. I have room in my classes for up to 6 students per night. I am looking to also fill a 6 person classroom on Saturdays, 1-4 pm, there is no set age group, it will be a more intensive one on one guidance and instruction, with inspirational and art history forays relevant to the subject. My approach to teaching is unique, dynamic and fun. I offer extensive insight into art, art process, technique and art history. If this interests you and or anyone you know, please send me a message and we can go from there. You can contact me a mahaloness@gmail.com. Thank you.
Fotomahaloness -the studio sesshin and a drawing made in my art class for 13 to 17 year olds, we came up with mythical creatures based on 3 animals: the wandering albatross, the black devilfish, and a sun fish. We had one hour to render the mythological character and than shared and talked about our creations. I really like to emphasize developing your own style and working on techniques that will enhance your creative outflow.
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